Snack Bar Budapest

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A disbarred lawyer (Giancarlo Giannini) is working as a debt collector for his partner Sapo (Philippe Léotard). Escorting prostitute Milena (Raffaella Baracchi) impregnated by Sapo to an unnamed sea resort of grotesque, he encounters the ambitious young ringleader Molecola (François Negret) who has bought several old recreational sites in the environs to turn the town into an “Italian Las Vegas” but the hotel-bar named Snack Bar Budapest run by a man (Carlo Monni) and his family remains an obstacle. Molecola needs a lawyer to legitimize forceful evacuation of Snack Bar Budapest and the lawyer agrees. However, a murder he commits brings him at odds with Molecola.

ACTORS :  Giancarlo Giannini, Philippe Léotard, François Négret

DIRECTOR  :   Tinto Brass

YEAR OF RELEASE : 1988

SHIPPING COST : Postage in Australia Free

 

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Snack Bar Budapest A disbarred lawyer (Giancarlo Giannini) is working as a debt collector for his partner Sapo (Philippe Léotard). Escorting prostitute Milena (Raffaella Baracchi) impregnated by Sapo to an unnamed sea resort of grotesque, he encounters the ambitious young ringleader Molecola (François Negret) who has bought several old recreational sites in the environs to turn the town into an “Italian Las Vegas” but the hotel-bar named Snack Bar Budapest run by a man (Carlo Monni) and his family remains an obstacle. Molecola needs a lawyer to legitimize forceful evacuation of Snack Bar Budapest and the lawyer agrees. However, a murder he commits brings him at odds with Molecola.

He knows how to get women to bend this way and that to their best advantage

Snack Bar Budapest I like Tinto Brass. More accurately, I suppose, I should say that I enjoy Tinto Brass films. But even then I must qualify that. Mr Brass is a very skilled film maker. Possibly some of his movies look like MTV but he likes that glossy look with lots of neon and classy sets. He also knows how to shoot women. Some may consider it demeaning but he knows how to get women to bend this way and that to their best advantage and always make it look as if they are enjoying themselves. What, it appears, even he cannot do, is tell a proper story and still get away with women bending all the time. This starts off fine with some great glamour shots and some silly story developing, lots more sexy bending and then somewhere along the way it becomes clear we are supposed to be really interested in the fate of some of these people on screen , who all of a sudden are not bending over so much. It is a nonsense story that spoils the fun. There is a belated and rather tasteless effort to get back to some T&A at the end with some eroticised shots of a dead girl but all is already well lost.

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